Imageline Toxic Biohazard Vst 11
Imageline Toxic Biohazard Vst 11
Toxic Biohazard is the superlative product of 16 years of our audio arts research. Don’t be surprised if you hear it referred to as a less expensive version of the Europa or even as a Big O knock off. All we can say is, get ready for another revolution in FM synth technology!
We are so proud to present our newest FXR sequencer. Toxic Biohazard VST 11 comes with a wide variety of unique effects that are carefully crafted and optimized to add true depth and realism to your sound. This FXR has its own independent effects section that you can use to perform any special effects. Even a experienced musician will find this FXR to be the perfect tool for completing any song.
Toxic Biohazard VST-11 is the successor to the popular Toxic Biohazard VST 10 and is now bundled with Maxx Claster’s unique and highly effective technology, called Maxx Tube. Maxx Tube is a digital multi-tap which lets you mimic classic vacuum tubes with ease. Its high-quality filtering, distortion and processing may be combined by using different presets. Each effect can be adjusted through real time parameter control. As a result, the sound of Toxic Biohazard VST-11 is incomparable to any other synthesizer in the current market. You can create a saturated sound, or apply noisier or crisper analogue-like effects. Toxic Biohazard VST-11 also allows the user to use both real time and stored parameters to shape the sound. With 64 effect modes, Toxic Biohazard VST 11 has more effect modes than any other VST synthesizer on the market. You will surely find the sounds in Toxic Biohazard VST 11 to be powerful, creative and beautiful.
Maxx Claster’s own analog-modelled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic Biohazard gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.
Then again, All Plugins is $700 which is a lot of money. You can get quite a few third-party synths for that price and have exactly what you want, and nothing more. If Image-Line updated some of the plugins like Sawer, Morphine and Toxic Biohazard then itd be a contender. Their current dated look and feel do make the value seem less awesome though.
With improved Arpeggiator controls, the Cutoff Envelope Generator and the Multimode filter, you can play with the various multimode filters of Toxic Biohazard with a controller like the Oscillator or Filter, for shaping your sounds. The multimode filter can be modulated as well, and the filter itself has a large resonance (reverb) for shaping and defining the sound. Other modulations give you time and pitch controls, and the LFO provides a free amount of cycles. The effects are quite musical and fun to use, and the constant multitasking allows the user to focus on details without feeling like he’s being slowed down.
In a synth category long known for its clean and predictable character, there is an awakening on the horizon. While most fans of VSTi may be familiar with the Seismic Synth, the Big O, or the innovative Europa, more and more synth enthusiasts are beginning to take notice. Toxic Biohazard is one such synth that offers a unique method of synthesizing complex sounds. With its application-based modes, unmatched speed and quality, the synth offers something for both new users and long-time Toxic fans to enjoy.
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